Shaw-Barton
"Everybody’s Happy” Original Calendar Proof Art by Lawrence Wilbur Circa 1940s
"Everybody’s Happy” Original Calendar Proof Art by Lawrence Wilbur Circa 1940s
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AT A GLANCE
- Title:
- Everybody’s Happy
- Publisher:
- Shaw Barton
- Type:
- Original Commercial Art Proof
- Subject:
- Young girl | Jack Russell terrier
- Artist:
- Lawrence Wilbur (1893 - 1976)
- Era:
- Early 20th Century (1900 - 1945)
- Circa:
- 1930s
- Origin:
- United States
- Print type:
- Pre-Press Commercial Proof
- Material:
- Paper
- Medium:
- Original Calendar Proof Illustration
- Dimensions:
- 7" x 9"
- Condition:
- Very Good (VG)
- Mounting:
- Production notes on reverse
- Book genre:
- Art | Illustrated
Everybody’s Happy — Original Lawrence Wilbur Calendar Proof Art
Original pre-production proof art, unlike mass printed reproductions, represent one of the early working stages of commercial illustration — it was the artwork reviewed and approved before mass production — making it a distinctive survivor from the golden age of American advertising art.
This original mid-century calendar proof illustration created by noted American commercial illustrator Lawrence Lazeur Wilbur titled Everybody’s Happy depicts a cheerful young girl holding a Jack Russell terrier — a classic mid-20th-century mass-appeal subject designed to evoke warmth, innocence, and domestic charm.
Born Lawrence Lazear Wilbur in 1893, Wilbur studied art in New York City after being raised in Omaha, Nebraska. He went on to establish a successful career as a commercial illustrator, producing work for calendars, advertising campaigns, lithographs, billboards, and major publications including The Saturday Evening Post. His career reflects the golden age of American commercial illustration. Wilbur passed away in 1976.
The reverse of the artwork retains production information identifying the image title, size, and multiple mount options offered to advertisers. These notations confirm its role within the commercial calendar industry and document its place in the production process. Proof sheets such as this were used for advertiser selection and internal approval, making them far less common than the calendars they generated. As such, they offer a tangible glimpse into mid-century commercial illustration practices.
Size & Condition: Measuring 7" x 9", the piece represents working proof art rather than a finished printed calendar and in very-good condition.
The heartwarming subject and clean mid-century composition make this piece ideal for framing in a kitchen, hallway, or cottage-style interior. Matted in soft ivory or warm white and paired with a simple wood frame, it complements farmhouse, Americana, and nostalgic décor themes while celebrating classic American illustration.
Historical Reference
The composition originates from an oil painting by Lawrence Wilbur, confirming that the image was first created as a studio illustration before adaptation for calendar reproduction. A surviving oil version of this work is documented in the contemporary secondary art market, reinforcing the authenticity and artistic origin of the present commercial proof.
The piece was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.
Discover more Mid-Century Advertising Art Proofs and Original Pre-Press Illustrations here.
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
We share as much accurate information as possible about each item—from provenance to condition—but the images often show the nuances best. If you ever need more details, we’re always happy to help.
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