Walter H. Miller & Company
Shaker Village Pleasant Hill Kentucky Family Dwelling House & Aerial View | Walter Miller Chrome Postcards (Sold Choice)
Shaker Village Pleasant Hill Kentucky Family Dwelling House & Aerial View | Walter Miller Chrome Postcards (Sold Choice)
Flat $2.00 USPS First Class shipping on all postcards within the continental USA.
Flat $2.00 USPS First Class shipping on all postcards within the continental USA.
Low stock: 1 left
Couldn't load pickup availability
AT A GLANCE
- Title:
- Shaker Village
- Publisher:
- Walter H. Miller & Company, Williamsburg, Virginia
- Type:
- Standard Size Postcard (3 ½” x 5 ½”)
- Style:
- Documentary, museum collections
- Circa:
- Late 1960s - 1970s
- Print type:
- Photochrome print
- Condition:
- Excellent (EX)
- Color:
- Glossy
- Postcard:
- Chrome
- Photographer:
- Walter Miller
- Location:
- Pleasant Hill, Kentucky, USA
- Postmark:
- Unposted | Unused
Vintage chrome‑era postcards from Shaker Village at Pleasant Hill, Kentucky, each photographed by Walter H. Miller and published by Walter H. Miller & Co., Williamsburg, Virginia. These views document the architecture, interiors, and landscape of the historic Shaker community founded in 1805. Subjects include the limestone Center Family Dwelling House, the second‑story hall with its double staircases and wall pegs, an interior room furnished with original Shaker pieces, and an aerial view of the restored village on its high plateau above the Kentucky River.
All postcards are unposted, well‑preserved, and arrive in protective sleeves. Ideal for collectors of Shaker history, Kentucky heritage, American communal life, and mid‑century documentary photography. Sold individually.
Choose your selected postcard view using the selector button — each option displays the exact card you will receive.
Front View Shaker Center Family Dwelling House
- Two entrance doors; quarried limestone construction
- Largest dwelling in the Pleasant Hill community
- 60191
Second Story Hall Shaker Center Family Dwelling House
- Wide passageway with double staircases
- Pegs on walls for hanging chairs, clothing and tools
- 60192
Interior Room Shaker Center Family Dwelling House
- Original Shaker furniture including secretary desk
- Paint colors characteristic of Shaker interiors
- 60194
Shaker Village Aerial View Pleasant Hill Kentucky
- Shows expansive size of the restored village
- High plateau above the palisades of the Kentucky River.
- 60513
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
We share as much accurate information as possible about each item—from provenance to condition—but the images often show the nuances best. If you ever need more details, we’re always happy to help.
Share this listing.

Postcard Eras & Collecting Guide
-
Real Photo Postcards (c. 1890–1945)
Browse Real PostcardsEarly printed lithographs and Real Photo Postcards (RPPC) offer rich historical detail, documenting towns, events, family portraits, and everyday life. Disaster postcards depicting floods, fires, train wrecks, and other catastrophic events, were a popular way to share news as photographs could quickly be turned into postcards. Many RPPCs are scarce and unique due to their small‑batch production.
-
Pre-Linen Litho & Linen Postcards (c. 1907–1950)
Browse Pre-Linen Litho and Linen PostcardsPre‑Linen Litho cards (c. 1907–1929) were printed using smooth chromolithography and tinted halftone methods, producing soft, painterly views before the textured linen era. Linen postcards (c. 1930s–1950s) introduced high–rag‑content paper with a woven surface and bold saturated colors that reflected the optimism postwar travel culture. Together, these eras showcase the shift from early color printing.
-
Chrome Postcards (c.1939–)
Browse Chrome PostcardsChrome postcards, introduced in 1939, feature glossy surfaces, vivid color, and photographic imagery made possible by modern color film processes. The term “chrome” derives from Kodachrome, Eastman Kodak’s groundbreaking color film. Mid‑century examples depicting motels, highways, city skylines, national parks, and tourist destinations are collected for their documentation of postwar American travel and roadside culture.