Harold M. Lambert
“Brother Kissing Sister at Fence” – Original 1936 Harold M. Lambert Hand-Colorized Commercial Art Proof
“Brother Kissing Sister at Fence” – Original 1936 Harold M. Lambert Hand-Colorized Commercial Art Proof
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AT A GLANCE
- Title:
- "Brother Kissing Sister on Cheek at Fence”
- Publisher:
- Commercial Stock Archive
- Type:
- Original Commercial Art Proof
- Subject:
- Childhood | Americana
- Artist:
- Harold M. Lambert (1917 - 1969)
- Era:
- Early 20th Century (1900 - 1945)
- Date:
- January 1, 1936
- Origin:
- United States
- Print type:
- Pre-Press Commercial Proof
- Material:
- Paper
- Medium:
- Hand-Colorized Photographic Proof
- Dimensions:
- 10" x 8" (landscape)
- Condition:
- Very Good (VG)
- Book genre:
- Art | Illustrated
- Notes:
- Getty Editorial #671676675
1936 Hand-Colorized Childhood Scene – Harold M. Lambert Commercial Proof
An original hand-colorized commercial proof created from a documented 1936 photograph by American photographer Harold M. Lambert. The black-and-white source image is archived by Getty Images, confirming attribution and date.
An original hand-colorized commercial print depicting a young boy leaning across a white picket fence to whisper to or kiss a younger girl. The image captures the sentimental, narrative-driven style characteristic of 1930s American commercial photography.
The black-and-white source image appears in the Getty Images archive as Brother Kissing Sister on Cheek at Fence, editorial #671676675, credited to Harold M. Lambert with a creation date of January 1, 1936.
Interestingly, the same boy model appears in another Lambert image—Boy Laying in Grass with Dog (dated 1938)—wearing the same wardrobe. In this hand-colorized proof, the boy’s tie is rendered in yellow, while in the dog image it appears red, suggesting alternate colorization treatments during the production process.
The present example is a hand-colorized studio proof prepared prior to mechanical reproduction. Close inspection reveals smooth tonal blending and the absence of halftone dot patterning, consistent with production-era pigment application rather than later offset printing.
The rust-toned border and rough edges indicate handling during mounting or layout preparation. Condition is near excellent with bright colors and no damage. Colorization ink stain on back. Landscape size of 10” x 8” landscape (image area, not including border).
This commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.
The crisp white fence and vibrant mid-1930s palette make this piece particularly suited to cottage, farmhouse, or nursery interiors. Framed in white or natural wood, it becomes a charming focal point in a gallery wall of early American commercial photography.
Harold M. Lambert (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications—including LIFE—as well as travel and promotional outlets such as Trailways Magazine, and in commercial contexts for publishers including Ziff-Davis.
Lambert’s photography is characterized by clean composition, strong tonal control, and an instinct for narrative moments. Surviving prints and hand-colorized commercial proofs reflect the versatility required of mid-century photographers working across both journalistic and promotional assignments. His images remain part of major photographic archives and continue to document American visual culture of the pre- and post-war decades.
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
Just a quick heads‑up: the photos reveal details far better than text alone, so they’re worth a close review.
We share as much accurate information as possible about each item—from provenance to condition—but the images often show the nuances best. If you ever need more details, we’re always happy to help.
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