H. Armstrong Roberts
“Toddler Watering Garden” – Original 1933 H. Armstrong Roberts Hand-Colorized Commercial Art Proof
“Toddler Watering Garden” – Original 1933 H. Armstrong Roberts Hand-Colorized Commercial Art Proof
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AT A GLANCE
- Publisher:
- Commercial Stock Archive
- Type:
- Original Commercial Art Proof
- Subject:
- Childhood | Garden scene
- Artist:
- H. Armstrong Roberts (1883–1947)
- Era:
- Early 20th Century (1900 - 1945)
- Date:
- June 5, 1933
- Origin:
- United States
- Print type:
- Pre-Press Commercial Proof
- Material:
- Paper
- Medium:
- Hand-Colorized Photographic Proof
- Dimensions:
- Two sizes
- Condition:
- Very Good (VG)
- Book genre:
- Art | Illustrated
- Notes:
- Getty Editorial #1431382683
Low stock: 1 left
1933 Hand-Colorized Garden Scene with Toddler & Baby – Stock Photography Pioneer Proof
An original commercial art proof created from a 1933 photograph by pioneering stock photographer H. Armstrong Roberts. Hand-colorized variants such as this were produced for advertising layout and calendar reproduction, making them far scarcer than the later printed editions.
Original hand-colorized commercial proof prints depicting a charming, staged garden scene: a young blond toddler holding a garden hose while water sprays across a baby seated in a metal bathing tub below. The composition is playful and narratively constructed — classic of early American stock photography.
The black-and-white source image appears in the Getty Images archive as A Toddler Waters a Garden, editorial #1431382683, credited to H. Armstrong Roberts / ClassicStock with a creation date of June 5, 1933.
These proofs differ from the known Getty version. In addition to the toddler with the hose, this variant includes the baby in the tub being sprayed by a leak in the hose connection — suggesting either an alternate negative, a staged secondary exposure, or a photomontage prepared for commercial adaptation.
The prints are hand-colorized, not mechanically printed. Brush-applied pigments bring the green lawn, pink florals, and warm skin tones to life. The visible rust-colored border, roughly cut, indicates commercial mounting preparation — likely for calendar production or advertising paste-up.
Available Sizes (Sold Separately):
Print Size: 7” x 9” (image area not including border) – Very good condition, bright color, no damage, no fading, no tears, strong saturation. [$295.00]
Print Size: 10” x 13” (image area not including border) – Very good condition, bright color, no fading, strong saturation, a minor ½” surface scratch is present at the lower edge, extending slightly (approximately ¼”) into the image area. The mark is stable and does not detract from overall display. [$395.00]
This commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.
This piece frames beautifully in a simple white or natural maple frame, allowing the saturated greens and nostalgic Americana narrative to stand forward. Ideal for cottage interiors, garden rooms, nursery décor, or collectors of early advertising photography. The larger format creates stronger visual presence; the smaller size works well in a grouped gallery wall of vintage commercial proofs.
H. Armstrong Roberts (1883–1947) was a pioneering American photographer and founder of one of the earliest large-scale stock photography libraries. Originally a journalist, Roberts began producing his own images when suitable photographs for publication proved difficult to obtain. By the 1920s he was building an archive that eventually exceeded half a million negatives, supplying advertisers and publishers worldwide.
Roberts is credited with producing one of the first true stock photographs — Group in Front of Tri Motor Airplane (1920) — notable because every individual pictured signed a model release. His insistence on legal documentation established standards that shaped the commercial photography industry for decades. His archive, later known as Retrofile, continues to influence mid-century advertising aesthetics and remains highly collectible today.
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We ask that when making your purchasing decision that you consider the photos as part of the item's description.
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