{"title":"Commercial Artwork \u0026 Proofs","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMid-Century Commercial Advertising Art Proofs and Original Pre-Press Illustrations\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCommercial Artwork \u0026amp; Proofs | Pre-Press Illustrations \u003c\/strong\u003ecollection brings together commercial art, proof prints, pre-press illustrations, and promotional imagery created for advertisements, calendars, and other visual marketing materials.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003eBrowse our \u003cstrong\u003eProduct Gallery \u003c\/strong\u003eto explore a rotating selection of available art proofs, pre-press illustrations, and commercial art items.\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","products":[{"product_id":"everybodys-happy-calendar-proof-art-lawrence-wilbur","title":"\"Everybody’s Happy” Original Calendar Proof Art by Lawrence Wilbur Circa 1940s","description":"\u003ch3\u003eEverybody’s Happy — Original Lawrence Wilbur Calendar Proof Art\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eOriginal pre-production proof art, unlike mass printed reproductions, represent one of the early working stages of commercial illustration — it was the artwork reviewed and approved before mass production — making it a distinctive survivor from the golden age of American advertising art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"1022\" data-end=\"1304\"\u003eThis original mid-century calendar proof illustration created by noted American commercial illustrator \u003cstrong\u003eLawrence Lazeur Wilbur \u003c\/strong\u003etitled\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eEverybody’s Happy \u003c\/em\u003edepicts a cheerful young girl holding a\u003cem\u003e \u003c\/em\u003eJack Russell terrier — a classic mid-20th-century mass-appeal subject designed to evoke warmth, innocence, and domestic charm.\u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eBorn \u003cstrong\u003eLawrence Lazear Wilbur\u003c\/strong\u003e in 1893, Wilbur studied art in New York City after being raised in Omaha, Nebraska. He went on to establish a successful career as a commercial illustrator, producing work for calendars, advertising campaigns, lithographs, billboards, and major publications including \u003cem\u003eThe Saturday Evening Post.\u003c\/em\u003e His career reflects the golden age of American commercial illustration. Wilbur passed away in 1976.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"1306\" data-end=\"1671\"\u003eThe reverse of the artwork retains production information identifying the image title, size, and multiple mount options offered to advertisers. These notations confirm its role within the commercial calendar industry and document its place in the production process. Proof sheets such as this were used for advertiser selection and internal approval, making them far less common than the calendars they generated. As such, they offer a tangible glimpse into mid-century commercial illustration practices.\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1671\"\u003e\u003cstrong\u003eSize \u0026amp; Condition:\u003c\/strong\u003e Measuring\u003cstrong\u003e \u003c\/strong\u003e7\" x 9\"\u003cstrong\u003e,\u003c\/strong\u003e the piece represents working proof art rather than a finished printed calendar and in very-good condition.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe heartwarming subject and clean mid-century composition make this piece ideal for framing in a kitchen, hallway, or cottage-style interior. Matted in soft ivory or warm white and paired with a simple wood frame, it complements farmhouse, Americana, and nostalgic décor themes while celebrating classic American illustration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 14px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #6A7A8A; background-color: #f4f6f8;\"\u003e\n\u003ch3 style=\"color: #4a5560; font-size: 15px; letter-spacing: 0.2px; margin: 0 0 6px 0;\"\u003eHistorical Reference\u003c\/h3\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe composition originates from an oil painting by Lawrence Wilbur, confirming that the image was first created as a studio illustration before adaptation for calendar reproduction. A surviving oil version of this work is documented in the contemporary secondary art market, reinforcing the authenticity and artistic origin of the present commercial proof.\u003c\/p\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe piece was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cp\u003eDiscover more \u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/thetownhouseantiques.com\/collections\/proof-art-advertising-artwork\" title=\"Mid-Century Advertising Art Proofs and Original Pre-Press Illustrations\" style=\"color: rgb(43, 0, 255);\"\u003eMid-Century Advertising Art Proofs and Original Pre-Press\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e Illustrations here. \u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Shaw-Barton","offers":[{"title":"Default Title","offer_id":42269058596931,"sku":null,"price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/Everybody_sHappyDrawingPrintFront_c59939ad-d6a4-4f59-baee-af2f7f2e302e.jpg?v=1780144313"},{"product_id":"armstrong-roberts-1933-toddler-garden-art-proof","title":"“Toddler Watering Garden” – Original 1933 H. Armstrong Roberts Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1933 Hand-Colorized Garden Scene with Toddler \u0026amp; Baby – Stock Photography Pioneer Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original commercial art proof created from a 1933 photograph by pioneering stock photographer \u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e. Hand-colorized variants such as this were produced for advertising layout and calendar reproduction, making them far scarcer than the later printed editions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginal\u003cstrong\u003e \u003c\/strong\u003ehand-colorized commercial proof prints\u003cstrong\u003e \u003c\/strong\u003edepicting a charming, staged garden scene: a young blond toddler holding a garden hose while water sprays across a baby seated in a metal bathing tub below. The composition is playful and narratively constructed — classic of early American stock photography.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003eA Toddler Waters a Garden\u003c\/em\u003e, editorial #1431382683, credited to \u003cstrong\u003eH. Armstrong Roberts \/ ClassicStock\u003c\/strong\u003e with a creation date of June 5, 1933. \u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e (1883–1947) was a pioneering American photographer and founder of one of the earliest large-scale stock photography libraries. Originally a journalist, Roberts began producing his own images when suitable photographs for publication proved difficult to obtain. By the 1920s he was building an archive that eventually exceeded half a million negatives, supplying advertisers and publishers worldwide. Roberts is credited with producing one of the first true stock photographs — notable because every individual pictured signed a model release. His insistence on legal documentation established standards that shaped the commercial photography industry for decades. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThese proofs \u003cstrong\u003ediffer from the known Getty version\u003c\/strong\u003e. In addition to the toddler with the hose, this variant includes the baby in the tub being sprayed by a leak in the hose connection — suggesting either an alternate negative, a staged secondary exposure, or a photomontage prepared for commercial adaptation.\u003c\/p\u003e\n\u003cp\u003eThe prints are hand-colorized, not mechanically printed. Brush-applied pigments bring the green lawn, pink florals, and warm skin tones to life. The visible rust-colored border, roughly cut, indicates commercial mounting preparation — likely for calendar production or advertising paste-up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable Sizes (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003ePrint Size: 7” x 9” \u003c\/strong\u003e(image area not including border) – Very good condition, bright color, no damage, no fading, no tears, strong saturation. [$295.00]\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003ePrint Size: 10” x 13”\u003c\/strong\u003e (image area not including border) – Very good condition, bright color, no fading, strong saturation, a minor ½” surface scratch is present at the lower edge, extending slightly (approximately ¼”) into the image area. The mark is stable and does not detract from overall display. [$395.00]\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis piece frames beautifully in a simple white or natural maple frame, allowing the saturated greens and nostalgic Americana narrative to stand forward. Ideal for cottage interiors, garden rooms, nursery décor, or collectors of early advertising photography. The larger format creates stronger visual presence; the smaller size works well in a grouped gallery wall of vintage commercial proofs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 14px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #6A7A8A; background-color: #f4f6f8;\"\u003e\n\u003ch3 style=\"color: #4a5560; font-size: 15px; letter-spacing: 0.2px; margin: 0 0 6px 0;\"\u003eHistorical Reference\u003c\/h3\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cp\u003eDiscover more \u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/thetownhouseantiques.com\/collections\/proof-art-advertising-artwork\" title=\"Mid-Century Advertising Art Proofs and Original Pre-Press Illustrations\" style=\"color: rgb(43, 0, 255);\"\u003eMid-Century Advertising Art Proofs and Original Pre-Press\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e Illustrations here. \u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"H. Armstrong Roberts","offers":[{"title":"7\" x 9\"","offer_id":43009960017987,"sku":null,"price":295.0,"currency_code":"USD","in_stock":true},{"title":"10\" x 13\"","offer_id":43009960050755,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/HArmstrongRoberts_Boy_with_Hose_1933_019_53a071db-1eca-4ac9-8d01-86f0f77b57bc.jpg?v=1780145132"},{"product_id":"armstrong-roberts-1940s-pony-commercial-proof","title":"“Children with Pony” – Original 1940s H. Armstrong Roberts Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1940s Hand-Colorized Pony Scene – H. Armstrong Roberts Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof attributed to pioneering stock photographer \u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e. The composition matches documented Roberts photographs of the same child models and pony, suggesting this piece originates from the same 1940s studio series.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn original hand-colorized commercial print depicting a young girl seated on a pony while a boy gently holds the reins in a meadow setting. The image captures the idyllic optimism characteristic of mid-20th-century American commercial photography.\u003c\/p\u003e\n\u003cp\u003eAlthough the exact pose has not been located in online archives, several photographs of the same two models in identical wardrobe and setting appear in the Getty Images archive, attributed to\u003cstrong\u003e H. Armstrong Roberts\u003c\/strong\u003e (creative #81774639, #81774641, #81773063),\u003cem\u003e \u003c\/em\u003ecirca 1940s. This strongly suggests the present work was produced from the same staged photographic session.\u003c\/p\u003e\n\u003cp\u003eThe print is hand-colorized rather than mechanically printed. Close inspection reveals even tonal transitions and the absence of halftone dot patterning, consistent with studio proof preparation for advertising or calendar reproduction. The rust-colored border and rough-cut edges indicate production handling, typical of commercial layout or mounting preparation. \u003c\/p\u003e\n\u003cp\u003eThe print is in very good condition with bright colors and no damage. Size is\u003cstrong\u003e 7” x 9” \u003c\/strong\u003e(image area, not including border). No printing on back.\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Reference\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis pastoral pony scene frames beautifully in natural wood or white, complementing cottage, farmhouse, nursery, or equestrian-themed interiors. The soft hand-applied color and narrative charm make it especially suited for children’s spaces or gallery walls featuring mid-century Americana.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e (1883–1947) was a pioneering American photographer and founder of one of the earliest large-scale stock photography libraries. Originally a journalist, Roberts began producing his own images when suitable photographs proved difficult to obtain. By the 1920s he had developed an archive that eventually exceeded half a million negatives, supplying publishers and advertisers worldwide. \u003cbr\u003e\u003cbr\u003eRoberts is credited with producing one of the first true stock photographs—\u003cem\u003eGroup in Front of Tri Motor Airplane\u003c\/em\u003e (1920)—notable for its use of model releases, establishing standards that shaped the commercial photography industry. His archive, later known as Retrofile, continues to influence mid-century advertising aesthetics and remains highly collectible.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"H. Armstrong Roberts","offers":[{"title":"Default Title","offer_id":43009963032643,"sku":null,"price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/ChildrenwithPony_ArmstrongArtProofSquare.jpg?v=1772755227"},{"product_id":"armstrong-roberts-1939-girl-with-daffodil-proof","title":"Girl with Daffodil – Original 1939 H. Armstrong Roberts Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1939 Hand-Colorized Portrait – H. Armstrong Roberts Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof created from a documented 1939 photograph by pioneering stock photographer \u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e. The black-and-white source image is archived by Getty Images, confirming date and attribution.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eDescription An original hand-colorized commercial print depicting a \u003cem\u003eyoung toddler girl holding a yellow daffodil\u003c\/em\u003e against a dark studio backdrop. The composition is intimate and expressive capturing the soft wonder characteristic of late 1930s American advertising photography.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as 1930s \u003cem\u003eGirl with Flower\u003c\/em\u003e, editorial #1432528259, credited to \u003cstrong\u003eH. Armstrong Roberts \/ ClassicStock \u003c\/strong\u003ewith a creation date of May 9, 1939.\u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eH. Armstrong Roberts\u003c\/strong\u003e (1883–1947) was a pioneering American photographer and founder of one of the earliest large-scale stock photography libraries. Originally a journalist, Roberts began producing his own images when suitable photographs proved difficult to obtain. By the 1920s he had developed an archive exceeding half a million negatives, supplying publishers and advertisers worldwide. \u003cbr\u003e\u003cbr\u003eRoberts is credited with producing one of the first true stock photographs—\u003cem\u003eGroup in Front of Tri Motor Airplane\u003c\/em\u003e (1920)—notable for its use of model releases. His archive, later known as Retrofile, continues to influence mid-century advertising aesthetics and remains highly collectible.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis example represents a hand-colorized production proof, prepared prior to mechanical reproduction. Close inspection reveals smooth tonal transitions and the absence of halftone dot patterning, consistent with studio-applied pigment rather than later offset printing.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 14px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #6A7A8A; background-color: #f4f6f8;\"\u003e\n\u003ch3 style=\"color: #4a5560; font-size: 15px; letter-spacing: 0.2px; margin: 0 0 6px 0;\"\u003eHistorical Note\u003c\/h3\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe rust-colored border and rough-cut edges indicate production handling, likely for calendar or advertising layout purposes. Condition is very good with bright colors and not damage. Size is\u003cstrong\u003e 7'' x 9\" \u003c\/strong\u003e(image area, not including border). No printing on back.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe dramatic black background and vibrant daffodil make this piece especially striking when matted in white and framed in simple wood or black. Ideal for nursery spaces, spring décor, or collectors of early American portrait photography. Its intimate scale makes it well suited for gallery wall groupings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cp\u003eDiscover our \u003cstrong\u003e\u003ca title=\"Art | Paintings, Prints, Sculpture Art \u0026amp; Studio Glass\" href=\"https:\/\/thetownhouseantiques.com\/collections\/art\"\u003eArt Prints\u003c\/a\u003e \u003c\/strong\u003ecollection, featuring art proofs, original paintings, vintage prints, illustrated papers, and thoughtfully selected wall art—all ready for framing and adding beauty to your home.\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"H. Armstrong Roberts","offers":[{"title":"Default Title","offer_id":43009963262019,"sku":null,"price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/GirlwithDaffodilGettyEditorial_1432528259Square.jpg?v=1772755564"},{"product_id":"harold-lambert-1939-girl-spaniel-proof","title":"“Girl Shaking Hands with Spaniel” – Original 1939 Harold M. Lambert Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1939 Hand-Colorized Dog Portrait – Harold M. Lambert Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof created from a documented 1939 photograph by American photographer \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e. The black-and-white source image is archived by Getty Images, confirming attribution and date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eTwo original hand-colorized commercial prints depicting a young girl in a patterned bonnet gently shaking hands with an English Springer Spaniel. The scene captures the narrative charm typical of late-1930s American advertising photography—idealized childhood paired with loyal companion imagery.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003eGirl Holding Hand of Dog\u003c\/em\u003e, editorial #671673965, credited to \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e with a creation date of January 1, 1939.\u003c\/p\u003e\n\u003cp\u003eThese examples represent studio production proofs prepared prior to mechanical reproduction. Close inspection reveals smooth pigment application and the absence of halftone dot patterning, consistent with hand-applied color rather than later offset printing.\u003c\/p\u003e\n\u003cp\u003eThe rust-toned borders and slightly rough-cut edges reflect handling during mounting or layout preparation for calendar or advertising use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable Sizes (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003ePrint Size: 7” x 9” \u003c\/strong\u003e(image area not including border) – Very good condition, bright color, small scratch (not a tear) on colorized proof, near girl's bonnet, no fading, no tears, strong saturation. [$345.00]\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003ePrint Size: 10” x 12 \u003c\/strong\u003e\u003cspan style=\"mso-no-proof: yes;\"\u003e\u003cstrong\u003e¾”\u003c\/strong\u003e (\u003c\/span\u003eimage area not including board) – Very good condition, bright color, small scratch (not a tear) on colorized proof near girls left knee, no fading, strong saturation. [$425.00]\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Reference\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis piece is especially appealing to collectors of sporting dog imagery and cottage-style interiors. Framed in natural wood or white, it complements farmhouse, nursery, or country décor. The larger format offers stronger visual impact, while the smaller size works beautifully in a grouped display of early commercial photography.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications—including \u003cem\u003eLIFE\u003c\/em\u003e—as well as promotional and advertising contexts. \u003cbr\u003e\u003cbr\u003eLambert’s photography is marked by clean composition, strong tonal control, and narrative warmth. Surviving hand-colorized commercial proofs reflect the studio practices of pre-war and mid-century advertising production and remain valued within photographic archives and the collector market.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Harold M. Lambert","offers":[{"title":"7\" x 9\"","offer_id":43009978630211,"sku":null,"price":345.0,"currency_code":"USD","in_stock":true},{"title":"10\" x 13\"","offer_id":43009978662979,"sku":null,"price":425.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/CommercialProofsGirlwithSpaniel.jpg?v=1772237296"},{"product_id":"harold-lambert-1938-boy-with-dog-proof","title":"“Boy Laying in Grass with Dog” – Original 1938 Harold M. Lambert Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1938 Hand-Colorized Boy \u0026amp; English Setter – Harold M. Lambert Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof created from a documented 1938 photograph by \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e. The black-and-white source image is archived by Getty Images, confirming attribution and date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn original hand-colorized commercial print depicting a young boy in cap and tie lying in the grass beside an English Setter. The relaxed pose and bright palette reflect the narrative warmth characteristic of late-1930s American advertising photography.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003eBoy Laying on Grass with His Dog\u003c\/em\u003e, editorial #953604934, credited to \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e with a creation date of January 1, 1938.\u003c\/p\u003e\n\u003cp\u003eThe boy model appears to be the same child featured in Lambert’s 1936 \u003cem\u003eBrother Kissing Sister on Cheek at Fence\u003c\/em\u003e image, wearing the same wardrobe. In that hand-colorized proof, the tie is rendered in yellow, while in the present example it appears red. This variation suggests alternate color treatments were applied during the studio proofing process prior to final reproduction—an insight into commercial art direction and pre-press experimentation of the period.\u003c\/p\u003e\n\u003cp\u003eThis example represents a production-era proof prepared before mechanical reproduction. Close inspection reveals smooth tonal blending and the absence of halftone dot patterning, consistent with hand-applied pigment rather than later offset printing. The rust-toned border and slightly rough-cut edges reflect handling during mounting or layout preparation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize \u0026amp; Condition:\u003c\/strong\u003e 10” x 8” landscape image area (not including border) – Very Good condition; bright colors; minor creasing at the top left and right corners; no damage to the central image area.\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Reference\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis pastoral sporting-dog composition is especially appealing to collectors of vintage dog imagery and country-themed interiors. Framed in natural wood or white matting, it complements farmhouse, nursery, or sporting décor. The horizontal format lends itself well to shelf displays or paired presentation with other Lambert childhood scenes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications—including \u003cem\u003eLIFE\u003c\/em\u003e—as well as promotional and advertising contexts. \u003cbr\u003e\u003cbr\u003eLambert’s photography is marked by clean composition, strong tonal control, and narrative warmth. Surviving hand-colorized commercial proofs reflect the studio practices of pre-war and mid-century advertising production and remain valued within photographic archives and the collector market.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Harold M. Lambert","offers":[{"title":"Default Title","offer_id":43009982103619,"sku":null,"price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/HaroldMLambert_Boy_English_Setter_1938_Square.jpg?v=1772755894"},{"product_id":"harold-lambert-1936-brother-sister-fence-proof","title":"“Brother Kissing Sister at Fence” – Original 1936 Harold M. Lambert Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1936 Hand-Colorized Childhood Scene – Harold M. Lambert Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof created from a documented 1936 photograph by American photographer \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e. The black-and-white source image is archived by Getty Images, confirming attribution and date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn original hand-colorized commercial print depicting a \u003cem\u003eyoung boy leaning across a white picket fence to whisper to or kiss a younger girl\u003c\/em\u003e. The image captures the sentimental, narrative-driven style characteristic of 1930s American commercial photography.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003eBrother Kissing Sister on Cheek at Fence\u003c\/em\u003e, editorial #671676675, credited to Harold M. Lambert with a creation date of January 1, 1936.\u003c\/p\u003e\n\u003cp\u003eInterestingly, the same boy model appears in another Lambert image—\u003cem\u003eBoy Laying in Grass with Dog\u003c\/em\u003e (dated 1938)—wearing the same wardrobe. In this hand-colorized proof, the boy’s tie is rendered in yellow, while in the dog image it appears red, suggesting alternate colorization treatments during the production process.\u003c\/p\u003e\n\u003cp\u003eThe present example is a hand-colorized studio proof prepared prior to mechanical reproduction. Close inspection reveals smooth tonal blending and the absence of halftone dot patterning, consistent with production-era pigment application rather than later offset printing.\u003c\/p\u003e\n\u003cp\u003eThe rust-toned border and rough edges indicate handling during mounting or layout preparation. Condition is near excellent with bright colors and no damage. Colorization ink stain on back. Landscape size of \u003cstrong\u003e10” x 8” landscape \u003c\/strong\u003e(image area, not including border).\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Reference\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe crisp white fence and vibrant mid-1930s palette make this piece particularly suited to cottage, farmhouse, or nursery interiors. Framed in white or natural wood, it becomes a charming focal point in a gallery wall of early American commercial photography.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eHarold M. Lambert (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications—including \u003cem\u003eLIFE\u003c\/em\u003e—as well as travel and promotional outlets such as \u003cem\u003eTrailways Magazine\u003c\/em\u003e, and in commercial contexts for publishers including Ziff-Davis. \u003cbr\u003e\u003cbr\u003eLambert’s photography is characterized by clean composition, strong tonal control, and an instinct for narrative moments. Surviving prints and hand-colorized commercial proofs reflect the versatility required of mid-century photographers working across both journalistic and promotional assignments. His images remain part of major photographic archives and continue to document American visual culture of the pre- and post-war decades.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Harold M. Lambert","offers":[{"title":"Default Title","offer_id":43009986789443,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/HaroldMLambert_Secrets_1936.jpg?v=1772751799"},{"product_id":"mother-holding-her-sweet-baby-original-proof-art-by-harold-m-lambert-1937","title":"“Mother Holding Her Sweet Baby” – 1937 Harold M. Lambert Hand-Colorized Commercial Proof or Calendar Reproduction","description":"\u003ch3\u003e1937 Harold M Lambert Mother \u0026amp; Baby Proof or Calendar Print\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eA documented 1937 photograph by \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e preserved here in both an original pre-press hand-colorized proof and a later calendar reproduction. The Getty Images archive confirms attribution and date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eDescription An original hand-colorized commercial proof depicting a young mother holding her newborn child. The composition reflects the sentimental domestic imagery characteristic of late-1930s American calendar and advertising illustration.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003eMother Holding Her Sweet Baby,\u003c\/em\u003e editorial #953602426, credited to \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e with a creation date of January 1, 1937.\u003c\/p\u003e\n\u003cp\u003eIn the original hand-colorized proof, the mother’s dress is richly tinted in blue with a golden collar, while the infant remains largely uncolored — revealing the staged nature of the proofing process. This unfinished treatment provides insight into commercial color application prior to final reproduction.\u003c\/p\u003e\n\u003cp\u003eThe accompanying reproduction calendar print, titled \u003cem\u003eThe Little Lady\u003c\/em\u003e (Picture No. 1626; Style No. 70; A Tru Art Picture – Hand Tinted), shows the infant fully colorized in pink gown and booties. The printed reverse confirms its use in calendar mount production.\u003c\/p\u003e\n\u003cp\u003eTogether, the two prints demonstrate the transition from studio proof to consumer-facing calendar art — a rare opportunity to see both stages of commercial illustration practice.\u003c\/p\u003e\n\u003cp\u003eThe original pre-press proof and the later calendar reproduction are available individually via the selection menu above. When acquired together, they offer a compelling study in commercial color development from studio proof to finished calendar production. \u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003eOriginal Hand-Colorized Commercial Proof (\u003c\/strong\u003e\u003cstrong\u003e7\" x 9\")\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eimage size does not include border, very good condition, bright colors; no damage.  [$350.00}\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cstrong\u003eCalendar Reproduction Print Size: (10\" x 12 ¾”)\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eimage size does not include border, very good condition, bright colors, ¾” scratch near baby's head; printed reverse with production information. [$165.00]\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Reference\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe two pieces were acquired in Joliet, Illinois, historically home to the Gerlach-Barklow Company, one of the leading American art calendar publishers of the early twentieth century. While the prints are unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe intimate mother-and-child composition makes this piece especially appealing for nursery décor, cottage interiors, or collectors of sentimental calendar art. Displaying the proof alongside the reproduction offers a compelling visual study of pre-press color development.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications and promotional advertising contexts, reflecting the narrative warmth and staged realism characteristic of the era.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Harold M. Lambert","offers":[{"title":"Original Pre-Press Proof – 7\" x 9\"","offer_id":43011370909763,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true},{"title":"Calendar Reproduction Print – 10\" x 12 ¾”","offer_id":43011370942531,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/Original_Hand-Colorized_Commercial_Proof_7_x_9.jpg?v=1772745905"},{"product_id":"harold-lambert-1941-girl-with-milk-proof","title":"“Girl Holding Milk Bottles” – Original 1941 Harold M. Lambert Hand-Colorized Commercial Art Proof","description":"\u003ch3\u003e1941 Hand-Colorized Milk Delivery Scene – Harold M. Lambert Commercial Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eAn original hand-colorized commercial proof created from a documented 1941 photograph by \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e. The corresponding black-and-white image is archived by Getty Images, confirming attribution and date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn original hand-colorized commercial print depicting a young girl standing in a doorway holding two glass milk bottles, an image reflecting the everyday practice of home dairy delivery in mid-century America. The composition captures the domestic warmth and everyday optimism characteristic of early 1940s American commercial photography.\u003c\/p\u003e\n\u003cp\u003eThe black-and-white source image appears in the Getty Images archive as \u003cem\u003ePortrait of Girl Holding Milk Bottle in Front of Door\u003c\/em\u003e, editorial #953605582, credited to \u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e with a creation date of January 1, 1941.\u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eHarold M. Lambert\u003c\/strong\u003e (1917–1969) was an American photographer active from the late 1930s through the 1960s, producing editorial, commercial, and lifestyle imagery during the height of mid-century magazine culture. His work appeared in national publications—including \u003cem\u003eLIFE\u003c\/em\u003e—as well as promotional and advertising contexts. \u003cbr\u003e\u003cbr\u003eLambert’s photography is marked by clean composition, strong tonal control, and narrative warmth. Surviving hand-colorized commercial proofs reflect the studio practices of pre-war and mid-century advertising production and remain valued within photographic archives and the collector market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe branded milk bottles suggest the image may have been produced for advertising or promotional use within the dairy industry, reflecting mid-century marketing strategies centered on wholesome domestic imagery.\u003c\/p\u003e\n\u003cp\u003eThis example represents a production-era proof prepared prior to mechanical reproduction. Close inspection reveals smooth tonal blending and the absence of halftone dot patterning, consistent with hand-applied pigment rather than later offset printing. The rust-toned border and slightly rough-cut edges indicate handling during mounting or layout preparation.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 14px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #6A7A8A; background-color: #f4f6f8;\"\u003e\n\u003ch3 style=\"color: #4a5560; font-size: 15px; letter-spacing: 0.2px; margin: 0 0 6px 0;\"\u003eHistorical Note\u003c\/h3\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis commercial art proof was acquired in Joliet, Illinois, historically home to the \u003cstrong\u003eGerlach-Barklow Company\u003c\/strong\u003e, one of the leading American art calendar publishers of the early twentieth century. While the print itself is unmarked, the discovery location reflects the broader Midwestern calendar printing industry active during this period.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSize \u0026amp; Condition:\u003c\/strong\u003e 13” x 10” image area (not including border) – Very Good condition; bright colors; small scratches near top and left side edge about halfway down (not tears).\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003e\u003c\/strong\u003ed within photographic archives and the collector market.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThe larger vertical format gives this piece strong visual presence. Its nostalgic dairy theme makes it ideal for farmhouse kitchens, cottage interiors, or collectors of vintage advertising photography. Framed in natural wood or white matting, it becomes a charming mid-century domestic vignette.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cp\u003eDiscover our \u003cstrong\u003e\u003ca href=\"https:\/\/thetownhouseantiques.com\/collections\/art\" title=\"Art | Paintings, Prints, Sculpture Art \u0026amp; Studio Glass\"\u003eArt Prints\u003c\/a\u003e \u003c\/strong\u003ecollection, featuring art proofs, original paintings, vintage prints, illustrated papers, and thoughtfully selected wall art—all ready for framing and adding beauty to your home.\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Harold M. Lambert","offers":[{"title":"Default Title","offer_id":43009997275203,"sku":null,"price":425.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/HaroldMLambert_GirlwithMilk_1941_013Square.jpg?v=1772750309"},{"product_id":"spring-child-chicks-hand-colorized-commercial-art-proof-1930s-40s","title":"Mid-Century Calendar Art Proof – Toddler with Baby Chicks Under Blossoming Tree – Spring Advertising Illustration c.1948–1955","description":"\u003ch3\u003eMid-century commercial art proof featuring toddler beside red wagon filled with fluffy yellow chicks.\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eCommercial art proofs from this era are increasingly scarce, especially those with strong subject matter and hand‑applied color. While the photographer is not identified, the quality of the tinting and the classic calendar‑art composition place it firmly within the golden age of American commercial studio photography. Unattributed examples with this level of visual appeal remain highly collectible and represent excellent value within the category\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eA charming original hand-colorized commercial art proof from the 1930s–40s, featuring a young child seated beside a red wagon overflowing with fluffy yellow chicks beneath a blooming spring tree. Hand‑tinted in soft pastels with beautifully balanced composition, this piece embodies the nostalgic, storybook quality favored by mid‑century calendar and advertising publishers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an authentic production‑era proof used in the creation of printed advertising or calendar imagery. The surface shows the subtle tonal qualities and painterly hand‑coloring typical of studio‑produced photographic art of the period. No photographer or publisher imprint is present, but the style aligns with the era’s leading commercial studios known for sentimental Americana themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA bright, display‑ready example with strong decorative appeal for spring, Easter, nursery décor, or collectors of early 20th‑century commercial photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3225\" data-end=\"3417\"\u003eThe image measures \u003cstrong data-start=\"3244\" data-end=\"3273\"\u003e7 × 9 inches (image area)\u003c\/strong\u003e and retains its original proof border, representing the stage of production before a calendar grid or advertiser imprint would have been added. \u003cstrong\u003eCondition is very good\u003c\/strong\u003e with light handling wear consistent with vintage commercial artwork. The proof retains it bright, vibrant color and has excellent image clarity. Roughly trimmed proof border typical of production materials. Back is blank.\u003c\/p\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eWith its cheerful subject, vibrant spring colors, and nostalgic Americana setting, this piece displays beautifully when framed. The charming toddler and bright yellow chicks make it an appealing accent for farmhouse décor, nurseries, kitchens, or seasonal spring displays. The composition also works well as part of a gallery wall of vintage commercial illustration or advertising art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003cp\u003eDiscover our \u003cstrong\u003e\u003ca title=\"Art | Paintings, Prints, Sculpture Art \u0026amp; Studio Glass\" href=\"https:\/\/thetownhouseantiques.com\/collections\/art\"\u003eArt Prints\u003c\/a\u003e \u003c\/strong\u003ecollection, featuring art proofs, original paintings, vintage prints, illustrated papers, and thoughtfully selected wall art—all ready for framing and adding beauty to your home.\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Hand-Colorized Commercial Art Proof","offers":[{"title":"Default Title","offer_id":43024924672067,"sku":null,"price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/ToddlerwithRedWagonandYellowChicks.jpg?v=1772811050"},{"product_id":"hintermeister-fishing-calendar-proof-midcentury-art","title":"Henry “Hi” Hintermeister – Mid‑Century Fishing Scene | Original Calendar Art Proof, c. 1950s (Two sizes)","description":"\u003ch3\u003e1950s \u003cem\u003eThere's Many a Slip\u003c\/em\u003e Hintermeister Comical Fishing Scene Calendar Art Proof\u003c\/h3\u003e\n\u003cdiv style=\"margin: 22px 0 20px 0; padding: 8px 14px 6px 14px; border-left: 3px solid #334FB4; background-color: #f8faff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 15px; letter-spacing: 0.2px;\"\u003eCollector’s Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eA vibrant and humorous mid‑century sporting illustration by \u003cstrong\u003eHenry “Hi” Hintermeister\u003c\/strong\u003e, produced as a commercial art proof for \u003cstrong\u003eShaw Barton\u003c\/strong\u003e, a calendar publisher. O\u003cspan\u003eriginal commercial art proofs were used by calendar companies to evaluate color accuracy, composition, and layout before mass printing. Produced in extremely limited numbers and never sold to the public, making them highly desirable to collectors of sporting art, Americana, and mid‑century illustration.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eThis lively outdoor scene entitled, \u003cem\u003eThere's Many a Slip,\u003c\/em\u003e captures \u003cstrong\u003eHenry “Hi” Hintermeister’s \u003c\/strong\u003esignature blend of humor, action, and richly detailed American landscapes. Three fishermen are caught in a moment of comic chaos beside a woodland stream: one angler, losing his footing on a slick rock face, slides toward the water with wide‑eyed surprise as a trout leaps dramatically from the pool below. His companions react with animated delight — one waving his hat in encouragement, the other gesturing excitedly from a nearby rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRendered in bright, saturated color with crisp mid‑century linework, the illustration showcases the qualities that made the Hintermeisters (father and son) two of the most beloved artists in the American calendar industry. The lush green forest, distant blue mountains, and sparkling water reflect the optimistic, outdoor‑adventure aesthetic that dominated \u003cstrong\u003e1950s calendar art\u003c\/strong\u003e, particularly in sporting and recreational themes. Hintermeister's signature and Shaw Barton's mark is in the lower left-hand corner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo sizes are available, sold separately, both with excellent color and surface quality. Minor handling wear is consistent with proof use. No tears or discoloration affecting the artwork. Larger proof shows crease on top edge. Strong display--ready examples with calendar mount recommendations on back. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e\u003cstrong\u003eHintermeister Fishing Art - Large Calendar Proof (13 ⅞ x 9 ⅜\") \u003c\/strong\u003eMount C-1202 | C1203 [$175.00]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e\u003cstrong\u003eHintermeister Fishing Art - Small Calendar Proof (8 ⅞\" x 6 ⅞\") \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eMount C-1205 thru C1208 [$125.00]\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"margin: 18px 0 18px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #B22222; background-color: #fff5f5;\"\u003e\n\u003cstrong style=\"color: #b22222; font-size: 15px; letter-spacing: 0.2px;\"\u003eHistorical Note\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eOriginal \u003cstrong\u003eHintermeister\u003c\/strong\u003e calendar proofs were produced in very limited quantities for internal approval and survive far less frequently than printed calendar tops. Larger proofs, intended for premium wall calendars, command a higher value due to their display impact and scarcity. Both sizes offered here retain their original mount recommendations, confirming their use in the production process and placing them in the upper tier of surviving examples.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 22px 0 8px 0; padding: 10px 14px 8px 14px; border-left: 4px solid #334FB4; background-color: #dee6ff;\"\u003e\n\u003cstrong style=\"color: #334fb4; font-size: 16px; letter-spacing: 0.2px;\"\u003eFraming Appeal\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003eThis piece brings instant warmth and personality to a cabin, lodge, den, or fishing‑themed space. The dynamic composition and cheerful storytelling make it ideal for framing — a perfect blend of mid‑century charm and classic American outdoor humor.\u003cstrong\u003e\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 20px 0 20px 0; padding: 10px 14px 8px 14px; border-left: 3px solid #9C8F81; background-color: #f4efea;\"\u003e\n\u003cstrong style=\"color: #6e6258; font-size: 15px; letter-spacing: 0.2px;\"\u003eArtist Biography\u003c\/strong\u003e\n\u003cp style=\"margin: 6px 0 4px 0;\"\u003e\u003cstrong\u003eHenry “Hy” Hintermeister\u003c\/strong\u003e was an American illustrator whose work helped define the visual language of mid‑century calendar art and Americana. Beginning his professional career astonishingly early — a copyright under his name appears as early as 1914, when he was just seventeen — he worked in close partnership with his father, John Henry Hintermeister. Together, the two artists produced more than a thousand paintings under the shared signature “Hy Hintermeister,” a practice that makes attribution between father and son both fascinating and challenging for collectors.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shaw-Barton","offers":[{"title":"Hintermeister Fishing Art - Large Calendar Proof (13 ⅞ x 9 ⅜\")","offer_id":43025370218563,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true},{"title":"Hintermeister Fishing Art - Small Calendar Proof (8 ⅞\" x 6 ⅞\")","offer_id":43025370251331,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/files\/Hintermeister_Fishing_Art_-_Large_Calendar_Proof_14_x_9.5_1fb6c03a-e685-47ea-bf51-6db8e9623281.jpg?v=1772832170"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0114\/3262\/4186\/collections\/Antique_Flea_Market_Sign_20cd3228-9635-494b-8e0d-dd6d0901aa1c.jpg?v=1777254574","url":"https:\/\/thetownhouseantiques.com\/collections\/proof-art-advertising-artwork.oembed","provider":"The Townhouse Antiques \u0026 Vintage","version":"1.0","type":"link"}